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gear Archive - Page 2 of 3 - CINEGEARBLOG.COM

Tag Archive: gear


F65 CineAlta Digital Motion Picture Camera

Sony F65 CineAlta 8K Digital Motion Picture Camera

Building upon the distinguished CineAlta™ platform, the F65 represents the next generation technology for Digital Motion Picture acquisition:

  • F65 CineAlta Digital Motion Picture Camera
  • Building upon the distinguished CineAlta™ platform, the F65 represents the next generation technology for Digital Motion Picture acquisition:
  • Industry’s first 8K 20M-Pixel CMOS imager for digital motion picture production
  • From this imager, the F65 will derive brilliant HD, 2K, True 4K resolution, and higher
  • 16bit Linear RAW output
  • F65 adheres to 1.9:1 aspect ratio, DCI Projection standard (4096 x 2160 or 2048 x 1080) Choice of picture composition as needed: 1.85:1, 1.78:1, 1.66:1, 1.33:1, 2.35 spherical, 1.3x anamorphic, or 2x anamorphic cropped
  • Wide dynamic range, low S/N ratio, and high sensitivity
  • Optional SR-R4 on board SRMemory recorder
  • HD-SDI Monitoring outputs with viewing LUT’s
  • The camera can shoot 1 to 120 fps
  • 16 bit-RAW recording in SRMemory™ card (sold sep.)

Read more at sony.com.

RED.com down for SYSTEM UPGRADE
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Not much information but a nice video with nice gear.

[vimeo http://vimeo.com/21999047]

Read more at edelkrone.com.

Just got to know that there will be news concerning the release of the Console for Lightworks 2010 by Editshare at NAB 2011. We’ll keep you informed regarding this.

More infos about Editshare Lightworks: lightworksbeta.com

The Ikonoskop team is waiting for you at NAB 2011, booth C9545 in hall C. They show the new A-Cam dll camera with different lens mounts, the memorycard, new footage, different workflows. In collaboration with P+S TECHNIK we will display the 3D Freestyle Rig equipped with two A-cam dII.

a-cam-dii-cinegear

Zeiss just announced a set of 5 cinema lenses. They come in a custom made case.

These lenses are included:

  • Distagon T* 2,8/21
  • Distagon T* 2/28
  • Distagon T* 2/35
  • Planar T* 1,4/50
  • Planar T* 1,4/85

With these Zeiss reacts to the growing demand of affordable lenses with a precise manual focus.

The recommended retail price is 4562,- € exclusive of taxes.

NAB 2011: Zeiss cinema lens set in a custom made case

Focus offers new H.264 Recorders.

Specifically designed for video professionals, the FS-H Proxy Recorder makes it easy to integrate proxy recording into your everyday workflow. Attach the FS-H Proxy Recorder to your professional camcorder and record proxies while you’re recording high-res video. When your recording is complete, your proxies are ready to share instantly. With a wide range of proxy recording formats available, proxies can be instantly edited, streamed, and uploaded to video sharing websites or viewed on portable devices.

Read more at focusinfo.c0m

In this article Andrew Lesnie reveals The Hobbit 3D cinematography set up.  As we posted some days ago, the production of the Hobbit had started on on March 20 in Wellington’s Stone Street Studios and on location in New Zealand.

First, the short facts:

The Hobbit is:

  • being shot on 30 RED EPIC cameras;
  • using Zeiss Ultra Primes, Master Primes and Optimo zoom lenses;
  • shooting at 47.96 frames per second;
  • using 3ality Digital rigs.

Also Jim Jannard of RED has previously revealed that the production would use its new, smaller EPIC digital cameras, which can shoot at 5K resolution and up to 120 frames per second.

Read more at if.com.au.

DV|TV: Jag35 review

This is the first Episode of DV|TV. They review the Jag35 DSLR video gear, rig, monitor, electronic follow focus.

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