This is one fine reel. Pretty awesome aerial shots. Done with ARRI ALEXA and RED EPIC.
via Vimeo
This is one fine reel. Pretty awesome aerial shots. Done with ARRI ALEXA and RED EPIC.
via Vimeo
RED Digital Cinema announced the EPIC-M Monochrome a few weeks ago. Two days ago, the first footage shot on it was posted on REDUSER.net by Jarred Land. It’s a video for WOLF Magazine by Steven Sebring shot at Pier 59 Studios. Very nice pictures.
RED EPIC-M Monochrome quick specs:
Native ASA 2000.
Increased net resolution ( Removal of the debayer process, so every single individual pixel is used for luminance / image data )
New Low Pass Filter to assume a reduced pixel pitch ( 1×1 vs 2×2 Bayer )
$42,000 ( brain only ) includes upgrade to Dragon Monochrome Sensor spring 2013.
via REDUSER
The FCC gives you the chance to see the private parts of a RED EPIC-M digital cinema camera.
Read more at FCC.gov.
Jim posted some words at REDUSER.net:
Many people want to know what’s up with EPIC and Scarlet production.
EPIC-X. We are frantically working on finding solutions to supply chain issues created by the tsunami in Japan. We have found alternate sources (as have all of the other major companies) of parts that were exclusively made in Northern Japan. All of us are just waiting and in line for these parts and pieces. It appears that a solution to the supply of these parts will allow production of EPIC-X to begin in earnest in June. We have a full production facility and 98% of the components ready and waiting to rock as soon as we receive these parts.
EPIC-M. We are making machined body parts and purchasing individual parts and pieces at extraordinary prices now to continue production of EPIC-M.
Scarlet continues to be an issue due to the fact that lens components from Japan are causing an issue and we aren’t quite sure how long it will take to resolve. We will update as we have more info.
In the past we were late due to our own issues. Now we are late due to issues beyond anyone’s control.
Jim
Read more at REDUSER.net