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CineAlta Archive - CINEGEARBLOG.COM

Tag Archive: CineAlta


BandPro announced a nice price for a Sony F65 bundle. You can own it for just 85,000 $. Sounds kinda cool, huh? 😉

Get the details at BandPro.com

F65 CineAlta Digital Motion Picture Camera

Sony F65 CineAlta 8K Digital Motion Picture Camera

Building upon the distinguished CineAlta™ platform, the F65 represents the next generation technology for Digital Motion Picture acquisition:

  • F65 CineAlta Digital Motion Picture Camera
  • Building upon the distinguished CineAlta™ platform, the F65 represents the next generation technology for Digital Motion Picture acquisition:
  • Industry’s first 8K 20M-Pixel CMOS imager for digital motion picture production
  • From this imager, the F65 will derive brilliant HD, 2K, True 4K resolution, and higher
  • 16bit Linear RAW output
  • F65 adheres to 1.9:1 aspect ratio, DCI Projection standard (4096 x 2160 or 2048 x 1080) Choice of picture composition as needed: 1.85:1, 1.78:1, 1.66:1, 1.33:1, 2.35 spherical, 1.3x anamorphic, or 2x anamorphic cropped
  • Wide dynamic range, low S/N ratio, and high sensitivity
  • Optional SR-R4 on board SRMemory recorder
  • HD-SDI Monitoring outputs with viewing LUT’s
  • The camera can shoot 1 to 120 fps
  • 16 bit-RAW recording in SRMemory™ card (sold sep.)

Read more at sony.com.

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The boldest piece of Sony’s sensor narrative is about size. On the heels of the Super35mm-sized single CMOS sensor the compnay developed for the F3, Sony has announced another CMOS single-sensor milestone: Its newest CineAlta camera featuring an 8K x 2K chip. That gives the new 8K CMOS inside a total pixel count of 20.4 million pixels, far more than the roughly 8.8 million pixels of the current 4K x 2K sensors in other existing cameras on the market. The new sensor size obviously also brings with it higher color reproduction and resolution than can be captured by those other 4K sensors. But don’t confuse sensor size, pixel density and resolution with the recording format. The images are still recorded and output in 16-bit RAW 4K (16:8:8). During our demo at Sony’s Atsugi Technology Center in a suburb of Tokyo, however, those images were noticeably crisper, brighter and cleaner as a result of the extra pixels. Blacks were deep and rich, too. No shades of gray here, though if you were shooting a mountain climber against a textured, marbled slab of granite, this imager would certainly pick up every bit of uncompressed detail. I’m told the camera will shoot from 1 through 72 fps. Crank that up to a High Frame Rate mode and you can go all the way up to 120 fps.

Read more at studiodaily.com.