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Related Archive - Page 3 of 5 - CINEGEARBLOG.COM

Category: Related


At NAB 2011 Blackmagic Design presented the HyperDeck Shuttle. According to the website of Blackmagic Design it’s the world’s smallest recorder for uncompressed video via HD-/SDI or HDMI.

Top-10-Features:

  1. Transport Control: Buttons for Record, Stop, Next Clip and more!
  2. Display Button: Activates the display mode.
  3. Power Button: Power on and off. Hold button for 1 sec to turn off.
  4. Video Status: Shows a valid video input is present.
  5. SSD Status: Shows reads and writes from your SSD.
  6. Battery Level: Shows charge state of the internal battery.
  7. Power Supply Connection: Charge and power your HyperDeck Shuttle.
  8. HDMI Connections: HDMI 1.4 capture and playback connections.
  9. SDI Connections: SDI/HD-SDI input and output connections.
  10. Mini USB 2.0: Update your software and change settings!
Recommended retail price: 345,- $
Read more at Blackmagic-Design.com.

According to a press release by MOTU, they will ally with Apple and Intel to work closely together concerning the development of audio and video products that support the Thunderbolt I/O.

MOTU, a leading developer of video and audio I/O products, announced today that it is working closely with Apple and Intel to develop future products that take full advantage of Thunderbolt™, the new, very high-bandwidth, low-latency connectivity standard developed by Intel® and deployed by Apple® to worldwide markets on their latest generation MacBook Pro laptop computers.

“MOTU has often been the first to adopt new connectivity standards, such as FireWire, in our video and audio I/O products,” said Jim Cooper, MOTU Director of Marketing. “We’re excited about Thunderbolt because it clearly represents the future of professional I/O. MOTU’s strong partnership with Apple and Intel lays the groundwork for exciting new possibilities for Thunderbolt-equipped MOTU products in the near future.”

RED.com down for SYSTEM UPGRADE

Canon’s the big spender and splashed out a new firmware for their XF305 and XF300 professional camcorders. With this firmware the camcorders it’s more easy to setup a rig of two of these camcorders and keep them sync while capturing 3D HD Video.

3D Shooting Capability

Canon’s 3D Assist Function facilitates the setup of two XF305 or XF300 Professional Camcorders when used together to capture 3D HD video. The new firmware includes the ability to perform OIS Lens Shift to aid in optically aligning two XF305 or XF300 camcorders and a Focal Length Guide to display the zoom position of each camera in relation to each other and help calibrate zoom settings. This adjustment can be done through the menu system while the camcorders are mounted to a rig or tripod. Once aligned, the amount of the angle-of-view change is displayed after zoom adjustment, preventing camera misalignment and simplifying adjustment. This is similar to the 3D shooting functionality found in the Company’s XF105 and XF100 model professional camcorders.

Read more at canon.com

Angenieux’s got a new zoom lens. They unveiled it at NAB 2011. It’s got a zoom ratio of 2.7x and an aperture of 2.8. It weighs about 4.3 lbs.

Short enough for handheld cameras, steadicam or crane, long enough to capture that perfect close up, the Optimo 45-120mm is truly a new tool in cinematographer’s palette.

The new Optimo 45-120mm is designed with similar specifications as the award winning family of 15-40mm and 28-76mm lightweight Optimo lenses. It perfectly complements the other lightweight Optimo zooms to create a unique, 3 zoom lens system with total combined focal range of 15-120mm.

Canon announced an update of its E1 plugin for integration of EOS into Apple Final Cut Pro. Version 1.2 will be available on April 25. Canon says, that it will be even more easier now to import your EOS movies into Apple FCP.

Read more at canon.de. (German press release)

Today Canon announced the release of two new cinema lenses that are properly for 4K production standards.

[portfolio_slideshow]

“Both the Canon FK14.5-60 wide-angle cine zoom lens and the FK30-300 telephoto cine zoom lens are engineered to meet the most demanding overall imaging requirements of the latest large-format single-sensor digital cinematography cameras, and the creative requirements of the most discerning cinematographers, producers, and directors. Canon’s new wide-angle FK14.5-60 and telephoto FK30-300 PL-mount lenses will be on display at the 2011 NAB Show along with many other Canon HD lenses and advanced imaging products in booth # C-4325 in the Central Hall of the Las Vegas Convention Center, April 11-14.

“The 2K and HD digital production formats are firmly established in the global marketplace today, while 4K resolution is poised to further propel the imaging quality of digital cine production. Anticipating this exciting evolution in digital acquisition guided Canon’s developments of a new optical platform in recent years to meet the current and future imaging needs of high-resolution camera sensors,” explained Larry Thorpe, national marketing executive, Broadcast and Communications division, Canon U.S.A. “Canon has extrapolated a new optical platform – first seen during NAB 2009 on a working prototype 8K lens – to bring to market these two new PL-mount lenses. Advanced glass materials, exotic new optical coatings, and new computer-design techniques were all employed to achieve significant overall optical performance in these two lenses.”

Read more at canon.com.

Today Editshare released an updated version of their NLE Lightworks 2010.

Read more & get it at lightworksbeta.com.

Features & Fixes list:

* Fix crash when resizing video-routing panel

* Fix Exported DVCPro100 Quicktime playing correctly in FCP (Hardware I/O only)

* Fix crash trimming a single clip in a timeline

* Fix tools not returning correctly if toolbox is unpinned

* Fix audio only EDL Export

* Fix crash during OMF export with invalid shot

* Fix audio not being heard on audio tracks 17 and above (Hardware I/O only)

* Modify Mackie protocol to support edits with more than 16 audio tracks

* Fix SDI output not appearing when first entering a project (Hardware I/O only)

* Audio nodes can now be added by right clicking on the yellow line

* Fix output setting being reset when returning to the Project Browser View full article »

Just read on the REDUSER.net forum that adobe is hooking up their line of products with RED EPIC support. Until now the support is working in Adobe Premiere, Adobe After Effects and Adobe Media Encoder. All CS5. You can even mix material of RED ONE and RED EPIC in the same timeline and includes Rocket support.

Read more at REDUSER.net

Zeiss just announced a set of 5 cinema lenses. They come in a custom made case.

These lenses are included:

  • Distagon T* 2,8/21
  • Distagon T* 2/28
  • Distagon T* 2/35
  • Planar T* 1,4/50
  • Planar T* 1,4/85

With these Zeiss reacts to the growing demand of affordable lenses with a precise manual focus.

The recommended retail price is 4562,- € exclusive of taxes.

NAB 2011: Zeiss cinema lens set in a custom made case